It turns your voice into a powerful FX / beat / lead / soundscape synthesizer and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.
Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.
This is the story of how the Soma THE PIPE came to be, explained by Vlad Kreimer:
“I’m a composer of electronic music and I always wanted to use my voice, but I’m not a great singer. The biggest problem for me was trying to sing with lyrics. I can write either a text with good sense but it will not be poetic, or I can write a good melody for singing but then it’s hard to attach meaningful text to it. So instead, I began using my voice as a lead instrument or as a coloured sound cloud. Soon I realised that what I actually wanted was to sing like a synthesizer. But there were needed new sound possibilities for it.
The search started for a way to make this dream a reality, and this led me to design the vocal contact mic used in the PIPE. It was the decisive step in the development because this mic made possible the type of sonic explorations with my voice that I was looking for. Then I decided to add a dynamic FX processor, programmed specifically for processing signals from the mic”.
THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!
The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.
Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.
This is the story of how the Soma THE PIPE came to be, explained by Vlad Kreimer:
“I’m a composer of electronic music and I always wanted to use my voice, but I’m not a great singer. The biggest problem for me was trying to sing with lyrics. I can write either a text with good sense but it will not be poetic, or I can write a good melody for singing but then it’s hard to attach meaningful text to it. So instead, I began using my voice as a lead instrument or as a coloured sound cloud. Soon I realised that what I actually wanted was to sing like a synthesizer. But there were needed new sound possibilities for it.
The search started for a way to make this dream a reality, and this led me to design the vocal contact mic used in the PIPE. It was the decisive step in the development because this mic made possible the type of sonic explorations with my voice that I was looking for. Then I decided to add a dynamic FX processor, programmed specifically for processing signals from the mic”.
THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!
The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.
Specifications
- Colour: White
- Weight: 0.8 kg
- Input Ports: 5pin XLR
- Output Ports: 2x Jack 6,3 mm TS
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