Jackson RRX24 Rhoads LRL RDB

The X series of the American brand Jackson is a mid-range electric guitar with a typical corporate design and great playing characteristics, but still at a relatively affordable price. Specifically, the Rhoads models offer the popular Flying V body shape and also reference the great Ozzy Osbourne, who was a guitarist who loved to play the "V".

The construction of this guitar is composed of poplar body wings and a through neck made of one piece of maple with graphite bracing. This design has a positive effect on the sustain of the instrument. The fig wood fingerboard is fitted with twenty-four jumbo-sized frets. Its combined radius flattens towards the body - allowing both comfortable riff playing at the zero fret and comfortable ultra-fast shred in higher positions. Position markers made of imitation Sharkfin pearl in a striking red colour make it easy to navigate the fingerboard surface.



The Seymour Duncan Blackouts humbuckers with ceramic magnets and high output signal provide the guitar with the juicy sound and articulation needed to play sharply chopped riffs, ultra-fast shred and singing solos. Volume potentiometers, tone controls and a three-position pickup switch are used for sonic adjustments. The strings are housed in the company's Die-Cast tuning machines and a Floyd Rose double-reverse tremolo, which you can use to add impressive sound effects to your playing. Stability of tuning during frequent use of the lever is guaranteed by locks on the zero fret. The stylish look of the guitar is accentuated by the Red with Black Bevels body finish, white neck and headstock binding, turned headstock design and black hardware.

For several decades now, electric guitars of the American brand Jackson have been appealing mainly to musicians from metal, metal/core, HC or djent bands who profess a loud sound with a more or less diluted dose of aggression, as evidenced by the company's list of players. However, the radical metal design can also enchant adventurous musicians from the completely opposite musical spectrum, as evidenced, for example, by Nai Palm of Hiatus Kaiyote, who in turn clearly prove that the sound of Jackson instruments can make its way into genres built on a clean, warm, sound.