Jackson Pro Corey Beaulieu King V 6Q EB WSM

The Pro series of the American brand Jackson represents professional quality electric guitars designed for professional players and the general music public. In addition, instruments with typical company design, quality workmanship and great playing characteristics can still be purchased at a price that won't break your budget. Specifically, the King V models offer the Flying V body shape, a popular "V" shape among rock and metal musicians.

In this case, it's the signature model of the guitarist from the American metal band Trivium (Corey Beaulieu), which will immediately appeal to you with its modified King V design and Winterstorm body finish. The guitar's construction consists of a mahogany body, a flamed maple top veneer and a through-molded maple neck with graphite bracing. This design has a positive effect on the sustain of the instrument. The ebony fingerboard is fitted with twenty-four jumbo-sized frets. Its radius flattens towards the body - allowing both comfortable riff playing at the zero fret and comfortable ultra-fast shred in higher positions. Position markers made of imitation Sharkfin pearl make it easy to navigate the fingerboard surface.

Two high-output Seymour Duncan Blackouts humbuckers give the guitar the juicy sound and articulation needed to play sharply chopped riffs, ultra-fast shred and sing-along solos. Minimalist controls in the form of a volume potentiometer and three-position switch are fully tailored to the needs of metal players. The strings are housed in the company's Die-Cast tuning machines and a Floyd Rose (1000 Series) double-reverse tremolo, which you can use to add impressive sound effects to your playing.

For several decades now, electric guitars from the American brand Jackson have appealed primarily to musicians from metal, metal/core, HC or djent bands who profess a loud sound with a more or less diluted dose of aggression, as evidenced by the company's roster of players. However, the radical metal design can also enchant adventurous musicians from the completely opposite musical spectrum, as evidenced, for example, by Nai Palm of Hiatus Kaiyote, who in turn clearly prove that the sound of Jackson instruments can make its way into genres built on a clean, warm, sound.